Marty Magic Travel

The Weekend

The overcast weather is conducive to nesting and I am content to work on waxes and catch up on writing. We allow John to sleep late but when he wakes, his cough and congestion are considerably worse and my focus for the day is to get him antibiotics for the sinus infection. The need to find doctor clouds my morning but Art is not so concerned and the logistics are not easy. John busies himself with scissors, poking ventilating holes in the plastic top of one of his beetle’s containers. I am startled from my waxes when John exclaims about the blood! The scissors have slipped and he has sliced his left forefinger deeply and almost completely around. I look at the clean but extremely deep slice and pale. My maternal inclination is to rush John to emergency and get the cut stitched together, but the cut is clean and blood is oozing not gushing. John holds a paper towel tightly over his finger while Art hurries out to get bandages and disinfectant. (I have the remembered to bring Neosporin from home.) The next several hours are spent alternatively checking on John’s finger, the color of his nasal mucus and making phone calls to find out where best to take him, should we deem it actually necessary to go to either emergency or to a doctor over the weekend. The afternoon slips slowly by and we do nothing. John complains little and I return to work. Sometime later, I hear a raspy sound and look up to see John sawing wooden chopsticks with a serrated knife. His intention is to cut splints to immobilize his already wounded finger. I ask him, none too gently, if he wants to slice open another finger today? Art bicycles up to Shintoshin to escape it all.

With so many things going wrong today, I am happy when Art calls later on and suggests that we meet him in Shintoshin for dinner? John and I are out of our apartment in a flash, walking the ¾ miles to meet him. When we connect, Art asks if I have any cash? I have very little. This actually frees us and we search for a restaurant that will accept credit cards. It’s a Saturday night, we are in a very fashionable district and there are many inviting restaurants. We choose an upscale Izakaya and are seated at the counter, their only available seats. We are happy to be watching the preparation of the exotic entrées and Art does his best to order us many unusual dishes. The service is first class and the waiter kneels to be at our level when he takes our orders. The décor is ambient, a mixture of contemporary with traditional. Even John has a memorable evening. The three of us eat and drink to our hearts content and the bill is less than $75.00 for us all, including tax and tip.

Sunday: John is still under the weather, and his finger is not yet throbbing with infection. His wish is to sleep in so Art and I bicycle together to Starbucks and relax into another Starbuck Sunday. Several hours vanish as I write an article on shopping in Naha, for Okinawa.com. We return back to our apartment, read, write and check the weather for Monday. Sunshine is predicted for Monday. Our plans are to take the ferry to Tokashiki Island, Monday morning.

Sayonara Dragons!

It’s a cloudy Friday morning and with my body is sore from our hike to Hiji falls, I’m happy to have a day at home. Art dresses in a suit, takes one of our laptop computers and goes to the “One or Eight Internet Café” to work on http://www.okinawa.com. I spend the morning finishing my Soaring Dragon Ear Cuff wax. John has never fully recovered from the cold we all had last month and this morning he complains that his throat is sore and he sniffles and coughs as he lazes in front of the television. I nag him to read his novel for school, but he resists and I get lost in the concentration of my work and let him be.

The cupboards are bare and I break to ride my bicycle up to the market in Shintoshin. I take John’s empty backpack so that I can carry home the groceries. I buy a large bottle of vitamin water for John and two tiny concentrated bottles of a vitamin C cocktail. These tiny vitamin drink bottles are a novelty to me and there are dozens of varieties to choose from. Deciphering the Kanji labels would be impossible for me but the “1350 mg C” stands out clearly from the kanji and I place them in my tiny shopping cart. The vitamin water is a great idea and I wish we had this at home. The large 2 liter bottle contains 4,000 mg of vitamin C. It’s a slightly sweet citrus flavored drink, but not as intensely sugared as soda. I buy all that I think I can fit into John’s backpack, including 6 eggs and peddle home. The eggs make it home unbroken.

It’s now late Friday afternoon and I have been agonizing over shipping my three original dragon waxes to my casters back in the U.S. I have considered carrying them home with me, but that will not allow time for casting and for the stones to be set before my summer shows begin. Scheduling aside I am equally worried about carrying home “all my dragon eggs in one basket” so to speak. (I think this journal entry has an egg theme to it.) I carefully remove the gemstones from the dragons and package each of the three dragon waxes in small zip lock bags and tuck the tiny bags gently into a soft nest of shredded plastic bags accumulated from marketing . I place the “nest box” inside a larger box, also padded with recycled plastic bags and carefully fill out the mailing label. I place my treasured dragons inside John’s backpack and bicycle off to the post office. It is misting lightly and as I peddle, I worry that the package will get lost, or that the waxes will break, or melt. This tape plays over and over in my head and I am anxious and emotional when I arrive at the post office. Unlike our post office at home on a Friday afternoon, there is no one in line. I was here two days ago gathering forms and asking questions and two women recognize me and motion me to the counter. They look my form over and frown in confusion when they come to the content declaration on my form. I have printed neatly, “4 original wax sculptures.” (John’s wax carving of his beetle Frack is also enclosed in the package.) Wisely, I have brought along my cell phone and I dial Art and ask him to explain what is inside the box. I also tell him I would like to insure it for $500; not that $500 would compensate me in any way for all the time invested, but I think the insurance might give the package some special care. I haven’t sealed the package and John’s wax is separate from my dragons and easily accessible. I show the women the beetle wax. She asks if it is a candle? Art speaks with the clerks for several minutes and then hangs up. They take my forms over to a supervisor and the three of them talk for some time, and then make copies of the forms. I watch this all anxiously. One of the women returns and points to my phone and I dial Art again. She looks very puzzled throughout this second conversation. I need to call Art a third time and he is exasperated with the whole situation and is short with me. The gist is that t is too complicated to insure the package and that it will take a week to 10 days to get there. Art suggests that I wait until Monday and ask Narumi to help me mail the package. I feel tears welling up in my eyes and struggle not to cry. I know that the addresses are correct, that the box is well packed. With hand signals I tell them to go ahead and mail the package without insurance. I am reasonably certain that the package will arrive safely, but to be unable to communicate and be completely dependent upon others to do things for me diminishes me to tears and I cry as I bicycle home.

Art is home when I unlock the door and it’s pretty obvious that I am upset. John is feeling worse and is reading his novel quietly. I sit down to my work table and try to focus on a new project. Art breaks the silence with light humor, suggesting that he take his “miserable” wife and son someplace bright and cheery for dinner. It’s drizzling lightly and we catch a taxi to the D.F.S. Mall and glide up the sleek escalator to the stylish Galleria Food Court. Our intent is to sit outside on the covered patio, but there is a private party going on and we are not on the guest list. John inhales his hamburger and is anxious to leave, but we ply him with dessert while Art and I eat leisurely and share a small flask of awamori. The 4 inch ceramic flask of awamori is presented on a tray beside two glass tumblers, bottled water and an ice bucket. Art clinks ice into our glasses, adds the awamori, mixes it with bottled water and stirs. A few sips into the icy cold drink and I feel much happier.

Gambate to Hiji Falls

I wake up before the 7:00 A.M. alarm in anticipation of our drive to Hiji Falls. Takaki has another day off and has offered to take us to the falls and to Hedo point, the most northern point of Okinawa. It’s heavily overcast and I check the weather report via Art’s http://www.okinawa.com site. We won’t see blue sky anytime soon, but rain isn’t predicted until tonight. Takaki drives Highway 58 North following the coastline and I gaze out the window at the Onna Coast on a steely grey day. We drove this route two weeks ago on a bright sunny day and the water was an intoxicating turquoise and the white sand was blinding. Today the ocean is a deep indigo blue. Engineered seawalls define the contour of the island delineating land from water. The Highway winds along the edge of the seawall. Very little coast line remains natural. Cement breakwaters shelter the “designed” beaches and at one prime spot our lane of traffic is stopped while land moving vehicles groan across traffic to add to the coastal land fill upon which another resort hotel will be erected. As we near Nago, sea stacks become more plentiful, dotting the offshore coastline. These whimsical mushroomed shaped island rock formations are crowned with lush tropical foliage. I e-mailed my father, Dr. John Crowell, a renowned geologist, to ask how these formations were created. Here is his explanation verbatim: “Sea stacks, in Okinawa, Oregon, or at many other places on Earth, are almost always due to a combination of sea-level changes over an interval of time along a coast with bedrock that is fairly resistant to wave erosion, but can still be eroded away. The stacks are most conspicuous where relative sea level stays level for a time and waves eat away at the coast, and resistant parts between bays are left standing high, and less resistant parts are worn away. Most of Japan and the Ryukyu chain are geologically young volcanic rocks — at some places easily eroded and at others more resistant so they remain as stacks. In general the stacks along the Oregon coast are made of much older rock and very much more complicated in their history than the Japanese stacks. Geologists these days are interested in whether the changes in sea level are primarily the result of climate change or tectonics (including volcanism) or the lowering of sea level because water is tied up in polar ice caps, lowering the world-wide sea level, or the rise and fall of the crust through tectonics.”

We stop for lunch just before the turn inland for Hiji Falls. We are in the Yanbaru district far north of the Motobu Peninsula, in a sparsely populated part of the island. It’s a bit before noon and we have the cavernous restaurant and huge gift shop to ourselves. From where I sit I can see into the kitchen and the cooks are busily preparing dozens of Teishokus. A teishoku is a meal “set.” and in addition to the entrée it usually includes miso soup, rice and a small plate of pickled vegetables or salad. I expect to see tour buses pull into the vast parking lot at any moment. Shortly after we are served two dozen elderly men appear out of nowhere and their teishokus are delivered to them quickly. Why are there are no buses in the parking lot?

We drive to the trail head and park for our hike to Hiji Falls. Entrance to the park is 200 Yen each and I expect an easy hike. A wooden boardwalk leads to the falls and we begin our hike. I am fueled from lunch and even on this grey day, the jungle is beautiful. Ferns and moss carpet the ground under a low canopy of trees. Vine tendrils drip down and strangler vines cut patters into the trees. I am trying to paint a picture, but know very little about plants. The route follows the river and we climb up and then drop down and then climb up some more. The wooden stairways have handrails and become steeper and steeper. I feel exhilarated each time I reach the top of a long flight of steps, only to be deflated when I see that the stairs descend down on the other side, and then back up again! I take more photos than usual as an excuse to catch my breath. There are many young hikers on the trail and one returning group cheers us on with the popular phrase “Gambate!” Gambate means to “strive on.” It is a positive phrase of encouragement and becomes my hiking mantra. John is the first to arrive at the falls but I am not far behind taking photos of him and Takaki as they leap and scramble onto large boulders beneath the falls. Three young men in slacks sit on another large bolder and take photos of the waterfall with their cell phones. I take photos of them. It has taken us just short of an hour to hike here and I am having a wonderful afternoon, but the falls are not spectacular. (Keep in mind that I am a California gal, the daughter of a geologist, and have hiked to waterfalls around the world.) The hike itself and the surrounding jungle has been the reward. After 20 minutes resting at the base of the falls we start our return trip and make it back to the car in less than 30 minutes. My legs feel like Jello as I settle into the back seat of Takaki’s mini van.

Takaki drives us further North to Hedo Point. Although Takaki had never hiked to Hiji falls, he has been to Hedo Point on many occasions. He waits patiently in his van while the three of us walk out to the windy point and take photos. The volcanic rocks protrude sharply through varieties of low growing succulent plants. John and I wonder where the marine iguanas are? This particular terrain looks remarkably like parts of the Galapagos Islands.

Art wants to drive to Aha on our return route. Aha is a remote village on the Northern Pacific side of Okinawa. He has read that there are still homes with thatched roofs in this village. Takaki returns via the Pacific side of the island and John and I fall asleep in the back seat of the car. The road is a bit like the less traveled coastal sections along Highway 1 along the California coast where the road twists and turns but the miles add up slowly. We eventually arrive in Aha and it is a small, unattractive and nondescript town set beside a river with cement river embankments. Takaki dutifully asks where the thatched roofed houses are and receives blank stares. We park and climb up an old stone pathway lined with ancient stone and coral walls to the park high on the hill. (I am not happy to be climbing anything more at this point today; but I certainly don’t want to be left behind.) There is very little that is charming about Aha except for the ancient walls and pathways; but Art and Takaki inquire several more times about the existence of the thatched roof houses. We find that we are 30 years too late.

Dusk is falling and Takaki drives us back towards Naha. We have covered less than 120 miles round trip from Naha to Hedo and back, but every mile has been a long one between the traffic and the winding coastal roads. Okinawa is only 70 miles long from top to bottom, a distance that we could cover in an hour on our U.S. freeways. At 7:30 P.M. we pull into a simple restaurant for dinner. We each order a basic “Teishoku” and the bill is 3,300 yen for the four of us. ($28.00) During dinner I learn that Takaki has an early morning plane to catch to mainland Japan. I am sure Takaki is exhausted, but he graciously drives us home.

Nakamura House & Seifa Utaki

It’s another grey day and I expect to be homebound all day but when I return from making morning phone calls Art tells me that Takaaki is stopping by. I am elated! He suggests lunch at a Mexican Restaurant near the Mihama American Village, outside of U.S.M.C. Camp Foster. The enchilada I eat is a welcome break from the Okinawan cuisine, but it’s a far cry from great Mexican food available to us in Santa Cruz. We go to a travel agency nearby to check on Island packages to Kume Island and Ishigaki Island. There is an American Book shop next door and Art is able to buy several reference books. This shopping center is near Camp Foster and caters to Americans.

It’s a 20 minute drive to the Nakamura House, a well preserved example of a wealthy farmer’s residence and a government designated culture asset. Construction of this house began in 1720. The house is surrounded by a stone wall. A huge horizontally placed stone slab sits just inside the stone gateway. This slab is called a Hinpun, or Spirit Wall. It is believed that the Hinpun will prevent evil spirits from entering into the house. We have seen smaller spirit walls behind the gateways of some of the remaining old houses, both in town and on the islands. The present roof of the Nakamura House is traditional Okinawan red tile, but generations before it was thatched. We walk through the lush garden surrounding the house and then remove our shoes and step up onto the smooth wooden planked floors of the veranda that encircle the entire house. There are 8 rooms in the main house. With the exception of a large gathering and dining room all of the floors are covered with tatami mats. Shojo screens work as partitions between the rooms and can be slid open wide to create communal space, or closed for privacy. The kitchen area is off to one side of the house, at ground level, with a dirt floor and a hearth for cooking. There is a small loft above the kitchen where the servants most likely slept. Stone pens for the pigs are directly behind the kitchen. The Takakura, or raised store house is one of the few remaining examples of this style of food storage building. We spend an hour wandering the house and the grounds and then drink complimentary tea in the gift shop while John feeds the Koi fish in the pond outside. The Koi fish literally beach themselves in desperate attempts to get at the pellets he throws.

Although it’s after 4:00 P.M, Art and Takaaki concur that we drive south to the district of Chinen and visit the Se-fa Utaki, declared by UNESCO as one of 9 World Heritage Sites on Okinawa. The Se-fa Utaki is the sacred ground of the creator goddess Amamikyo and I am told that we will see Kudaha Island from this Utaki. It’s after 5:00 P.M. when we arrive and the light is fading. We walk up the clearly designated pathway towards the Utaki. There are other late visitors to this site, but the walk is lovely and serene. There are three different prayer sites in this Utaki but the most impressive of the three is the Sangui where a massive wall of stone has broken and slipped apart to form a triangular opening where, when the sun is just right, light will enter this open corridor and illuminate this sacred place. This sacred spot was a ceremonial place used by the high priestess of the Ryukyo Kingdom to pass on the title of Kikoe Ogimi to the future kings. On this cloudy day there are no rays of afternoon sunlight to illuminate and bring magic to this spot, but it is impressive nevertheless. A group of future tour guides are being briefed on the history of this place, and as Art asks them questions, I step up to the opening that faces out to the sea and take pictures of Kudaha Island. My photos are less than impressive, but I am happy to have visited this sacred spot.

Takaaki drives us back to Naha in the dark and suggests a simple Chinese Restaurant for dinner. He has just heard about a small place, has never eaten there before, but the food is supposedly delicious. It is a ½ block off of Kokusai Street. Without Takaaki, I would not have been brave enough to walk into this tiny, dingy, hole in the wall restaurant with seating for less than a dozen people. There is nothing charming about this place, except that it has no charm; which in itself is the delight! There are 4 tables for two set along the wall, and we take up two of the tables. The counter seats 4 or 5 and faces the kitchen where the owner, a smiley eyed, Chinese man with his hair tied back in a bandana; cooks over a gas flamed stove. The one large table up front is occupied with 6 men dining and drinking. They look up and stare when we enter. Takaaki orders for us. Woks spit and sizzle and within minute’s plates of food are set before us. There is no waitress, but one young woman sits at the bar and when our plates of food are set on the counter before her, the “cook/owner” motions for her to deliver it to our tables. There is barely room to turn around in this restaurant and it takes me a few minutes to realize that she is just another customer who has been called into action and is graciously delivering our many shared dishes to our tables. The food is quite good; the chili shrimp is excellent and we inhale all that is set before us. Cold Lemongrass tea is poured generously. Art pays the 3,300 Yen check ( $28.00) for the 4 of us. Takaaki drives us home but not before warning us that we shouldn’t go into this area after midnight because it is a dangerous place to be late at night.

Okinawa’s Imperfect Weather

Island fever is settling in on John and me. I want the grey skies, rain and winds to go away. We arrived on Okinawa in early February and the weather was so consistently glorious that I hoped for the occasional cloudy or drizzly day to decompress. We seem to have now entered a new weather pattern for March and rain is predicted to continue for the next week.

My last journal entry was Sunday, a gloriously sunny day spent inside at a Karate and Kobudo exhibition. Late Sunday night as I drift in and out of sleep, I hear rain pelting the balcony outside our bedroom door. It is rhythmical and comforting and I sleep especially well.

On Monday morning the storm subsides but the perpetual drizzle continues and I walk alone down to the fish market for fresh sashimi. My umbrella catches a gust of wind and turns itself inside out. I return with sashimi and the skeleton of a broken umbrella. Art leaves for the day to meet with Byron who is well know in Okinawa as a Gaijin practitioner of the Sanshin. The son of an American Marine, Byron lived on Okinawa during high school and continued his fascination with Okinawa receiving his master’s degree in Okinawan culture. Byron has a Ryukyu Style video project that he hopes to promote. Art and Byron want their liaison to be mutually beneficial and hope that serendipity happens. John and I spend the day warm and cozy in our tiny apartment and I carve waxes while John does homework.

It is now Tuesday and another grey and wet day unfolds. John is completely bored and homesick. John is an athletic, gregarious 14 year old and has been relatively content to be with just his parents up until this point; but after one month in Okinawa he is missing his friends intently.

Art’s has his morning kanji lesson with Narumi and leaves in the afternoon with Byron to go to the Visitors Bureau to promote Okinawa.com. I work on a new dragon ear cuff wax design, but the day hangs heavily on John and to his credit he pulls a chair up beside me and works on his own wax project. He designs a Salamander Ring asking me endless questions to the point of my distraction; but he is making the ring for me and he wants to every detail to be perfect. John has done wax projects before but today he is more focused than ever before.

Art has been disciplined in going to Karate class every Tuesday and Thursday night since we arrived on Okinawa but John has been resisting. Last Thursday we insisted that John go with Art and tonight we tell John again that he has no choice in the matter. They bicycle off to the Makishi Dojo together, leaving me alone to catch up on this blog.

Karate & Kobudo Exhibition

Art has been given two tickets to the Karate & Kobudo Exhibition this afternoon so that is the focus of our day. Art will be participating in the exhibition as part of the Makishi Dojo.

It’s a beautiful Sunny Sunday and I wake before Art and John. Of course I always wake before John since at 14 he would happily sleep until mid afternoon. I work on the computer adding a few items to my http://www.martymagic.com web page enjoying the quiet of the morning. When Art wakes, in keeping with our Sunday morning tradition we bicycle to Starbucks but we are pressed for time.

Buzzed on caffeine, we take a taxi to the Budokan (Martial Arts Hall) over by Naha Port. The Budokan is an immense structure consisting of two main exhibition halls and many practice rooms. I would describe the exterior architecture as “Contemporary Bizarre.” The building is constructed of cement with a curved roof topped by zigzag skylights and rooftop copulas.’ The inside of the hall is large and very functional. John and I arrive early and get seats front and center. There is tiered seating along both sides of the hall as well. I expected to be bored with the exhibition, but I have been “assigned” to take photographs and I look at the participants in a new light. Having never done “sports” photography I find myself very challenged. 28 demonstrations are on the program representing about 18 organizations. The exhibition opens with close to 1000 participants entering the hall. Two thirds of the participants are children and I am immediately captivated by their innocence and their discipline. Groups form, lines morph and katas are preformed in unison. The youngest participants are 4 and 5 years old and some wave to their parents but almost all perform their katas proudly and powerfully. Speeches follow and then each Dojo performs a demonstration. Artistically I am fascinated with the formations and the synchronizations of the presentations. The starched white gis snap and kiai’s are yelled. (A Gi is the loose white cotton clothing worn when participating in this martial art.) (A Kiai is the yell that comes from the belly when the power of a thrust is focused down into pure energy.) Midways into the program the Makishi Dojo enter. John picks his Papa out before I do and I focus my camera in on Art and take photo after photo of the dojo’s brief but proficient demonstration. Art performs well and John is surprised by this and admittedly proud of his father. The afternoon has evaporated and it’s after 3:00 P.M. Unlike our sports stadiums there are no food concessions and my blood sugar is at a low, but the exhibitions keep getting better and I forget my hunger. Several of the final exhibitions are utterly amaze me. I watch boards and sticks of wood splinter with a single blow of the hand. Stacks of curved roof tiles are smashed by the blow of an elbow and then the Kobudo Exhibiton begins.

Karate means “Empty Hand” and Kobudo means “Ancient weapon.” Centuries ago when the Japanese Samurai were in power the Okinawans were not allowed to own weapons. In an effort to arm themselves, the martial art forms of Karate and Kobudo evolved. Farm implements were not outlawed so the peasants turned simple sticks, boat paddles and rice thrashers into implements of weapons. Several Dojos’ demonstrate impressive Kobudo Katas but the grand finale are three female “Ninja’s” performing a choreographed fight. Their legs twist and turn over head, they tumble and twist and defy gravity in an exhibition that awes the audience. Its 4:30 before the exhibition ends and I feel drained. We walk out into a beautiful afternoon of slanted sunlight and catch the monorail to the Shintoshin district to eat dinner. Our destination is a restaurant beside the Tsutaya Book Store. This slightly upscale restaurant offers an after 5:00 P.M. half price sushi menu. Our timing is perfect and after removing our shoes we glide along a glass floored corridor and are seated in our own private curtained room. We decompress and feast on sushi in our private room. The bill for the three of us including drinks is $3,300. Yen. (Less than $30.00 including tax and tip.)

More photos of the Karate Kobudo Exhibition can be viewed in the Okinawa.com Photo Gallery.

Shopping at Ryu Bo & Strolling Kokusai Street by Night

We awake to grey skies and light rain so it’s a good day to stay inside and carve waxes. Art takes off to an internet café for some time alone and to work on his web site. It’s Saturday and John lounges and watches Japanese T.V. I design a Mermaid and Wave ring around a piece of iridescent green Arizona Fire Agate. The premise to one of the television programs is a competition to see who can build the sturdiest stool without using any nails or glue? A dozen different competitors saw, wedge and pound together identical stools of wood. (This isn’t a 14 year old boy’s idea of exciting television and his running commentary is far better than the show and keeps me amused as I work.) After the stools are completed 4 VERY large men come upon stage, each taking a stool and climbing onto a “shaking platform” where they sit on the stools while the platform undulates back and forth. Most of the stools collapse and these “Sumo” men thud down upon the platform amidst the pieces of wood from the broken stools. This process of testing the stools is repeated several times over until only one stool remains unbroken. There is an enthusiastic round of applause and a winner is declared.

By 4:30 P.M. my shoulders and back ache and I quit work. I want to go to Ryu Bo Department Store but it’s still drizzling so we catch a taxi. Taxis are very reasonable. The starting meter rate is 4.50 Yen for the first 1.8 kilometers and about 170 yen for each additional kilometer. Tipping is not expected. We are dropped off at Ryu Bo and walk through the glass doors into a fashionable retail bubble. On the ground floor is the cosmetic and costume jewelry section and I inhale the aromas of expensive perfumes and beauty products guaranteed to make anyone look younger and more beautiful. We glide up the escalators up to the 8^th floor. Ryu Bo is the largest department store in Naha and I just want to browse. I have always been much more impressed by the retail displays in Japan and Okinawa than even in the finest shops back in the United States. Japanese packaging is an art in itself. Art wanders off to the book section but John stays with me. We peruse the baby clothes section with Molly in mind, but the price tags deter me. I buy several cards in the stationary sections and John plays an arcade game or two.

We reconnect with Art and walk outside and down Kokusai Street. Its dusk and the stores on this tourist street will be open late. The street is bustling with pedestrians enjoying the bright lights and the warm evening. In spite of the rain earlier, the temperature is in the mid 70’s and we stroll without sweaters or jackets. As in any tourist district, the restaurants on the main drag are overpriced and over hyped but half a block down a side street I spot a small establishment and peek through the lighted door. It looks charming and I would love to eat here, but it is not our habit to go into the first restaurant that we come to. We usually wander aimlessly for at least an hour until we are all so hungry and grumpy that anything will do. I paused three seconds too long in the doorway and the owner comes outside to invite us into his restaurant. There is a long bar overlooking the kitchen area where cast iron pans are sizzling over gas flames. There are only 4 Japanese style tables and three western style tables set along the other side. A wall is lined with bottles of awamori and the walls are papered with calligraphied celebrity autographs We are seated at a Japanese style table and the “Mamasan” is pleasant and helpful in taking our order. The food is simple Okinawan style, Okinawan soba, champuru, fish and pork. Art orders 5 plates for us to share and a small flask of awamori for the two of us. The décor is charming, the service fast, the food good and the prices reasonable. We wait less than 10 minutes for our table, but by the time we leave there is a crowd waiting outside for tables. I pick up a card as we leave and Art translates the name of this restaurant to beYunangi. The phone number is 098-867-3765.

We stroll leisurely down Kokusai street enjoying the warm night, the bright lights and being together.

Getting Lost in Sueyoshi Park

Today is overcast and there is a very slight drizzle. We had planned to take the ferry to Tokashiki Island, but islands are best visited on sunny days so we spend the morning inside working. At 11:00 A.M. Narumi, Art’s newly acquired Kanji and Japanese tutor comes to the house. She is gregarious with a big smile and I like her immediately. Art and Narumi sit at our kitchen table and she works with Art to help him read the newspaper and they converse in Japanese. John works diligently on several writing assignments and I work on completing my third original dragon pendant; this one wrapping around an fiery orange 8.75 carat Mexican Fire Opal.

It’s Friday, March 2^nd and we need to cash travelers checks again. Around 2:00 P.M. the three of us head to the monorail stopping first at a nearby bank. Going to an Okinawan bank is nothing like banking back home. Not all banks offer foreign exchange, but we get lucky and this one does. As soon as we enter, we are greeted pleasantly and asked what our business is? The “greeter” pulls a number from a machine, hands it to us and bows slightly. We are graciously motioned to sit down and wait. There are 5 rows of couches all facing a television screen suspended from the ceiling. Magazines and newspapers are available to read. Above each of the teller windows is a screen with lighted numbers. When it is our turn our number lights up above one of the “windows” and I am seated in an upholstered chair. Art stands beside me and fills out the required form while I sign traveler’s checks. We return to our couches and watch television until we are graciously called and motioned back to the chair opposite our teller. Our money is presented to us on a small tray, the receipt slid gently towards us. We are invited to count the money. Everyone bows, smiles and thanks us. We reciprocate bows, smiles and thank yous. This cycle continues until we have exited the bank.

We walk to the Monorail and Art purchases 3 one way tickets to the stop nearest Sueyoshi Park. The monorail is not a bargain for three traveling together. Our three one way tickets are 230 yen each. ($2.00 each.) I like the monorail; traveling high above the red tile roofs of the ancient homes and being level with the apartment balconies and windows. I like looking down on the rooftop patchwork. The city is gray today and by the time we arrive at the station it is drizzling lightly. I see the lush forests of Sueyoshi Park high on the next hill over. To reach the park we must first walk down into a residential district before climbing back up to the hillside park. It’s after 3:00 P.M. and Art and I have had little to eat today. We enter the park, but the stone pathway looms formidably up the hillside and we are too hungry to continue before eating something first. Two boys on bicycles point us in the direction of a soba shop. Although not memorable, our late lunch fuels us on and we return to the park with enthusiasm. The light rain adds to the atmosphere as we enter the overgrowth of this subtropical forest. Initially the limestone walkway is beautifully restored, but as we continue to climb the stones are broken and irregular, the forest’s vines and tendrils encroaching on the ancient pathway. Just steps away from the city we are in a magical and ancient forest. We continue to climb and come upon a formidable tomb. It is a “turtle back tomb,” some 60 feet square, pristine and with every stone of the wall and tomb intact and undisturbed. Moss grows from between the stones and I feel as if I am Indiana Jones discovering an ancient ruin. We haven’t seen another human since leaving the manicured park below. John and I want to climb to the shrine still further up the hillside, but Art is feeling queasy from lunch and turns back. Our meeting plans are not clear, but at this moment I think we all assume we will connect again within the next 15 to 20 minutes.

John is the proverbial explorer and there are many overgrown pathways to choose from. He encourages me to climb still further and we come upon several small and magical Utaki. The burnt remains of incense is wet upon the stones. John continues to climb and explore small natural caves weathered deep into the limestone veiled in the root and vine structure of the Aka trees. Our ultimate goal is the Shrine, but the pathway isn’t clear and we are about to turn back when I spot a glint of red through the foliage. We follow the slippery overgrown pathway and come upon the shrine. The wooden shrine is reconstructed but the steep stone stairway, wall and archway are ancient examples of Ryukyu Kingdom stonework. I climb the stairway to sit at the very top step of the shrine. I breath in the magic off the forest cascading below and beyond and gaze over the hazy city of Naha beyond. We haven’t encountered another soul for over an hour and I am ready to turn back but John discovers yet another overgrown stone stairway behind the shrine. He prods me onward and upward until we top the hill and emerge with a view of the other side of Naha. Dusk is settling in and I have tried to call Art’s cell phone, but it just buzzes busy. I am feeling anxious to reconnect and I tell John that we must hurry back down to the center of the park. Art is no where to be found so John and I wait near the playground area for another 20 minutes. Eventually my cell phone rings. Art is calling from a pay phone up at the entrance to the park. The battery on his cell phone died and he has all but organized a search party to find us. He has been imagining all sorts of mishaps that might have befallen us, from habu (a poisonous snake) to just plain getting lost. Admittedly we were exploring much too long, but with Arts phone dead my attempts to connect were useless.

We take a taxi home and we pay about the same as we would for three tickets on the monorail.

Shikinaen Royal Garden & Spirit Graveyard

We wake to another clear and sunny day. In an effort to chase the Monday Blues away, Art suggests a bicycle ride to the Shuri Castle district. I love that area but suggest we ride to Shikinaen Royal Gardens instead. It’s within Naha, one of the 9 World Heritage Sites on Okinawa, and John and I have never been there. After surveying the map, Art leads the way. Our map doesn’t show elevation and I can tell that Art is concerned that the gardens might be at a high elevation. The three of us set out and it’s a lovely “ride” even the last part where I push my bicycle up a seemingly endless roadway. At the start of the steepest incline, John peddles fast and calls back to me “challenging” me get my ”f** a**” back on the bike and ride. Within 50 feet he too is pushing his bike up the hill. I have been the tortoise in this bicycle “race” of ours. Mostly it’s easy and fun, but when the going gets steep, I put my feet firmly on the ground and walk.

Entrance into this World Heritage Site is 300 yen each and we step into a lush and historic botanical garden. We have the gardens mostly to ourselves. We wander the manicured paths under overhanging gajumaru trees. Vines and tendrils drip down from the trees reaching the root structure and it is difficult to determine roots from vines. Ancient Ryukyu lime stone walls define the pathways and dappled sunlight shimmers on the stone path under the shaded canopy of trees. Central to the garden is a large pond with two stone bridges built out to a small island in the center of the pond. A rokkaku-do, a hexagonal gazebo is the focal point of the island. Unfortunately the wisteria is not in bloom but the garden is beautiful, serene and genuine. Koi fish, carp and turtles glide inches below the water’s surface. We stroll away from the pond, back into the lush growth within the garden when John loudly exclaims and points to a spot low on a tree trunk. A split second later I spot the 8” long emerald green lizard. John has my camera and leaps over the railing to take numerous shots of this jeweled lizard but the lizard is camera shy and scurries off into the foliage. Minutes later John spots one of his relatives camouflaged in the grass on a steep embankment. John does chase and catches it. He has the lizard in a firm grip and the lizard does his best to bite John, but John quietly assures his reptilian friend that he will not be eaten and the lizard settles down for a photo shoot. To John’s dismay, and the lizards relief we will not allow John to take him home to join his menagerie.

We visit the Udun Palace within the gardens, a recreation of the formal wooden house that was originally constructed at the end of the 18^th century. This house was a second residence for the Ryukyu Royal family members and foreign guests. We remove our shoes and walk soundlessly along polished wooden floors and are able to experience the tatami rooms with their shoji screen walls, the rustic kitchen and even the bathrooms emptying over the pig sty’s.

Once again it is a breeze, literally, to bicycle home and we stop for lunch along our route. Lunch is not particularly good, but the matronly owner takes a liking to John and after he orders his second “American Hot Dog” she brings him an unexpected complimentary plate of cold spaghetti with a cold salsa sauce. John is already full, but realizes he must eat this gracious offering and does so smiling.

I take leave of the boys at the Heiwadori Market Place. There are a couple of special birthday’s in March and I want to shop for gifts. I know this covered market labyrinth well but have seldom been here on my own. I am looking especially disheveled today, sweaty, with helmet hair and my green folding Newton Bicycle in tow. It’s only when I catch a glimpse of myself in a shop window or mirror that I feel my age, but alone here in the narrow side alleys of the market I realize that I am an oddity. I retrace my path to my favorite tiny shops and then stumble upon an alleyway between two alleys. I carefully walk my bicycle along this narrow space crowded close and between the back sides of two market streets. I pop out into an open area with a half dozen small tables; all occupied by what I surmise are the owners, friends and employees of the shops bordering this space. I feel as if I have stepped into a party uninvited as heads turn in my direction. I smile and nod and wish to be invisible.

I don’t find what I am looking for on my shopping trip so I bicycle back tired and deflated. My web site is still down. I am emotionally down.

Just above our apartment on the hillside dropping down to the fish market is a cemetery. John and I began to explore it last night, but we were spooked away when we turned a narrow and overgrown path and saw a homeless encampment amidst one of the large tombs. John and I backtracked through the labyrinth of tombs and we found a spot where we could watch the sunset. We could see the Zumami Islands silhouetted grey, as the sun dipped vermillion red below the horizon.

Tonight I ask Art if he will walk with me up to this cemetery to watch the sunset? The pathway begins just steps away from our apartment. Art leads the way and we wind a narrow and overgrown path through the tombs and startle the homeless man who sits reading in the late afternoon sunlight. Art greets him with an assured “konichiwa.” and we walk past. The city disappears and we are suddenly in a wild and spirit filled place. Nature has taken over and vines and lush foliage encroach upon the tombs and two small limestone caves are gaping open. Art asks me if I want to climb up and look inside? We scramble a short 10 feet up and look into the opening of two graves? There are 5 or 6 large, broken and cracked. earthenware jars. Art surmises that these might have once contained bones. I am amazed that these artifacts are still present and as intact as they are.

We retrace our steps back past our “friends” encampment. Art clears his throat and the man looks up from his reading and asks Art if he speaks Japanese? When Art responds in the affirmative, a lengthy discussion enthuses about following a spiritual path. When Art is finally able to tear us away from the conversation, Art observes that he might be more inclined to believe this man’s path if his housekeeping were better. The clutter of bottles and debris in this man’s house was quite offensive.

Art and I walk a pathway out to the edge of the cliff. We step up onto the wall of a tomb. The sun is close to setting and the smooth curve of the highway overpass glistens above the industrial harbor. In the midst of this tightly urban place, there are sweet spots; one just needs to notice them. The sun sets in a pale glow, the Zamami Islands backlit grey against the horizon.

Monday Okinawan Blues

It’s Monday and I’m feeling disconnected and lonesome. My web site has been down for a week and my e-mail crashed three days ago. Living in Okinawa is really quite lovely and we have a nice little apartment by the harbor to call home. Art is being especially kind and patient, but I’ve always been extremely independent and to now be so dependent on him is difficult for me. The internet and my Marty Magic Web Site give me daily ties to family, friends and my business back home. It gives me connection and a sense of control.

So today I focus hard on finishing my second one of a kind dragon wax. This dragon entwines and protects a triangular piece of Druzy Chrysocolla. I was going to cast it in sterling silver, but I have so many hours invested in it and I think I will cast it in 18K gold. I hope that one day soon my web site will be back up and I will be able to post a photo of this piece along with a photo of the wax original I created last week of the Guardian Dragon wrapping around a Fire Agate.

Art and John are out much of the day while I work on waxes. I listen to Earnest Hemingway’s, A Farewell to Arms. Listening to this book on tape most likely contributes to my melancholy mood. The narration is wonderful and I am lost in concentration meticulously creating dragon scales to this classic and tragic love story.

At 7:00 P.M. the three of us walk out to dinner. John skateboards along side of us but his board gets away from him and propels itself into traffic on Highway 58. John has enough sense not to lunge after it, and the oncoming car slows and inches over the skateboard without smashing it. The consequences for this is that John must carry, not ride his board. At 14 John challenges everything and the three of us bicker all the way to dinner. Did I mention that the weather has been lovely all day and tonight is delightfully balmy?

Tonight’s destination is a particular restaurant that we passed several days back. Art leads us along a labyrinth of streets towards Kokusaidori and we find the restaurant two blocks off the main avenue. It glows invitingly and we are not disappointed with the food or the ambiance. Our waiter is not particularly helpful and Art struggles to translate the kanji menu., but Art chooses several of the nightly specials and all are excellent. Art drinks “sours,” I drink sake and John drinks cola. Dinner is a splurge at $55.00 for the three of us, tax and tip inclusive.

Sated, we are again a happy family and catch a taxi home.